Showing posts with label Featured Five. Show all posts
Showing posts with label Featured Five. Show all posts

28 March 2012

Featured Five: "No Soap, Radio!" 3/24/12



It’s always a little hard to explain exactly why I play what I do on my show. Still, for your enjoyment, I will attempt to dissect five of my selections for you here. Hopefully, you won’t decide it’s all too much nonsense for you to handle but, if you do, I’m sorry. (Actually, no I’m not. It’s 1 until 3 a.m. on a Saturday morning. Insanity is status quo at that point in the weekend. Just embrace it.)

1). “Cigarettes” - Russian Red
This track, oh man, what is there to be said about this track? Russian Red, also known as Lourdes Hernández, hails from Madrid, Spain, but her voice is something from an entirely different planet. Combined with a sultry, jazzy backing, this girl is like a hipper, sexier version of a young Regina Spektor. I'm probably going to be playing a lot more of her stuff in the coming weeks, as well...

2). “A Hymn for Coffee” - Hefner
Well, that last track was about cigarettes, so I figure something about coffee was in order. Luckily, I spun this song by Hefner, an indie pop group out of Essex, so we have that covered. Honestly though, the track isn't about coffee so much as it is about realizing the disparities between one's mistress and one's lover, but it still made for a good combination. Also, Darren Hayman is a superb, unique vocalist who's cracking voice really adds something to the heartbreak. All in all, it's a wonderful tune.

3). “Alice Nebulae” - Milky Wimpshake
I swear I didn't pick this song based purely on the band's name, even if it is hilariously obnoxious. But, that very same quality should be quite revealing about their overall sound. There's almost a Beatles-like sound, circa "Abbey Road," here, too. I'd say, out of everything I played this past week, this track was the most spring-like; given that the weather had been in the 70s-80s at the time, it made for a most fitting choice.

4). “Sea Serpents” - Babeshadow
No less than thirty seconds after I starting playing this song from Arcadian pop duo Babeshadow, I got a call from someone asking if this was a new Vampire Weekend track. This made me laugh a bit, and realize that there was definitely a similarity. The Afro-Caribbean vibe here owes more to the native influences of the group than anything else. Furthermore, Babeshadow are relentless Luddites who refuse to add synthesizers or guitar pedals to their music. Still, there's a very familiar poppy feeling here, and fans of Vampire Weekend may get a huge kick out of it.

5). “Can't Take Another Earthquake” - Beans on Toast
Okay, I admit it, I have a huge weakness for British artists. That said, Beans on Toast is one of my absolute favorites! This guy is superb: scratchy voice, off-kilter folk guitar strumming, politically-charged lyrics and a general sense of anarchist revelry. While "Can't Take Another Earthquake" does delve into some politics, it isn't as outright as many of his other songs. Instead, it merely highlights some absurdities within the modern world while still maintaining a chipper, optimistic disposition, making it the perfect note to end my show on this go 'round.

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That's all until next week. If you've got Spotify, you can click here to access all of these songs in a convenient list. You can find the whole playlist for the show over on the WTJU website and, if you missed the live broadcast for some reason, there's a streaming copy available for two weeks on the WTJU Tape Vaults.

//rt.packard

14 March 2012

Featured Five: "No Soap, Radio!" 3/10/12

It’s always a little hard to explain exactly why I play what I do on my show. Still, for your enjoyment, I will attempt to dissect five of my selections for you here. Hopefully, you won’t decide it’s all too much nonsense for you to handle but, if you do, I’m sorry. (Actually, no I’m not. It’s 1 until 3 a.m. on a Saturday morning. Insanity is status quo at that point in the weekend. Just embrace it.)

1). “Ich Erinnere Mich An Die Weimarer Republik” - The World / Inferno Friendship Society
I started out the show with this gem from The World / Inferno Friendship Society. The piano and brass in the intro just blew me away the first time I heard it and I’ve been meaning to include it in one of my playlists for a long while now. But, what really sold me, are the lyrics: “You think your scene’s dead? / Well, mine got killed / by some dimwit’s triumph of the will.” There’s a slightly irked, but not vitriolic, undertone to this track that makes it much more than just a bouncy, danceable number and, well, that’s typically the music to which I’m drawn.

2). “Off the Books” - Guignol & Mischief Brew
If the last track’s anger was subtle, this one lays it all out front. There is, however, a jovial revelry in the song which, paired with lyrics condemning materialism, make me think Leo Tolstoy would dig it. And, anything Leo Tolstoy would dig gets a pass by me. (What? I need a better reason than that to play something? Too bad, sometimes things don’t have to be deep.)

3). “Lovers Are Waterproof” - Herman Düne
Yes, I realize that’s a totally lame name for a song. Even the band agrees, but you’ll have to listen to it to find out how. Anyway, Herman Düne is an absolutely remarkable Swedish anti-folk pair I’ve been listening to a lot of lately. The singer’s accent adds a nice addition to the lyrics, which are in English, and make the non-native pronunciations of words like “beer” and “weed” seem completely natural. I’d put this at the top of my featured list, but then it wouldn’t be in chronological order.

4). “Candy Shop” - Fatima Spar Und Die Freedom Fries
If you guessed I picked this song purely because of the band name, you’d be half right. Fatima is Turkish, but the Freedom Fries are an Austrian group, and their sound is something else altogether. Oh, and it should be mentioned that this isn’t a cover of some awful pop-rap song but, instead, a cover of the Andrew Bird track. I’m pretty sure I’d have liked the jazzed-up version of either, but it is always good to see Andrew Bird getting some recognition.

5). “Goodnight Ladies” - Lou Reed
That’s right; I ended my show with Lou Reed’s “Goodnight Ladies.” Everything about this song makes it a perfect closing number: Lou’s voice is pure gold, the lyrics reference a T.S. Eliot poem and that final note could serve is a segue to almost anybody else’s show. Honestly, I try to end most of my shows with this song. It’s just that good.

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That's all until next week. You can find the whole playlist for the show over on the WTJU website and, if you missed the live broadcast for some reason, there's a streaming copy available for two weeks on the WTJU Tape Vaults